124 unfolds at the moment when a house in Mexico City's Condesa neighborhood ceases to be a home, yet has not become something else.

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Before its transformation into an Airbnb, the house exists in suspension: intact, yet somehow displaced from itself. There is no emptiness, only a persistent presence—that of the Chait family, still inhabiting the space through photographs, objects and gestures suspended in time.

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These photographs do not tell a story; they construct a journey. A quiet passage through rooms where memory clings to surfaces and resists disappearance.

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The project inhabits this threshold, where intimacy still lingers while anonymity quietly begins to take shape.